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My Philosophy:
Somewhere along the line, you likely heard that playing classical music was hard. Especially with the Suzuki method. Practicing every single day? Sounds hard.
But what if I told you that joy-filled, ease-full practice and performance can be the norm—with minimal time and maximum fun?
It’s true!
As cellists, we are athletes—meaning our body is CENTRAL to what we do every day.
HOWEVER, we’re rarely taught this in school. It has taken me over a decade of music school (six degrees!) to realize that rich tone, musicality, effortless technique, and yes, injury prevention, all come back to our relationship with the body.
From day one, I give all my students exercises and routines to help them build body awareness, strength, and flexibility. We work with the natural laws of the body to discover effortless technique and exquisite musicality.
A musical journey is the journey of a lifetime. Let’s get started today!
Testimonials
FAQs
Do you teach the Suzuki method?
Yes! I am a registered Suzuki teacher through Book 10. I studied with Abbey Hansen at the Cleveland Institute of Music for my long-form Suzuki Teacher Training. I was a Suzuki student myself and I believe strongly in the method.
Do you offer group class?
Yes! I teach group classes on Thursday nights at the Agnew Performance Academy. We offer group classes for all ages and a weekly performance hour where students gain experience playing with piano.
Do you currently perform?
Yes. I am a section player with the Cleveland Pops and CityMusic Cleveland, and I play in the Bernhardt-Kowal-Willauer piano trio. This year, I’m touring with a duo show called “Strings Attached—Virtuosic Cello Works and the Relationships that Inspired them.”
Do you offer student performances?
Yes! Each semester, my students play at least one concert for the community. We are often hosted by Praxis Fiberarts Studio, and Judson Park.
Who have you studied with?
I will always take lessons! I’m always learning. For my masters degree I studied with Mark Kosower, principal cello of The Cleveland Orchestra. For my doctorate I studied with Dr. Melissa Kraut, one of the world’s leading pedagogues.